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平行—卢俊舟个展

展览时间: 2018年8月19日(周日) - 10月21日(周日) 展览地点: 现代艺术厅

在卢俊舟的作品中,“空间”似乎是一个非常突出的特质。他每一个阶段都在尝试着延展自己的边界,形成新的经验,甚至表现出某些跳跃、分裂的节奏,如果说其中有着相对延续性的话,那么最明显的莫过于对“空间与原始巫力的情绪再现”的探索与表现。

其实,在传统书法概念中,文字的间架结构就具有某种空间的指向,卢俊舟的作品无疑是将此指向发挥到个人理解的极限,这类似一种触发,融合了他对书法由来已久的情感以及对未来的领悟。尤其是在他近阶段的作品中,曾经固有的秩序开始被消解,原有形式的趣味逐渐被取代,对形与意的强调,转移到更为纯粹的情绪积累与释放中去。书写本身已无关乎文字的内容,无关乎观者的阅读,他追逐着自我的节奏感,寻求接近本质直觉的原始状态,完全打破了东西方文字书写的障碍。书写的空间感和画面感,自然完美地呈现,犹如浑然天成的原始混沌状态。仿佛置身于纯粹的书写之中,他才能接近独特的自我、体验精神的自由,表现出他的质疑与勇气。在他的书写过程中,传统书法所具备的会意性与情绪化等特征,又逐渐呈现出与当代艺术的某些价值判断相通的一面。我们对传统概念的认识,正是在艺术家的作品中不断被刷新与超越,正如索尔仁尼琴所言:“我们的生命,我们的精神,必须产生于我们自己的理解,我们自己的文化氛围。”

当我们置身于更为开放、广阔的文化维度之中,参照逐渐多元的价值判断方式时,相比单一形态的标准艺术创作,应该有着更多的可能与阐释。卢俊舟的作品以反秩序化的态度,建构着他所理解的秩序,在这一层意义上他似乎把我们带入到了一个新的精神空间。

苏州博物馆馆长陈瑞近


Preface

“Space”seems to be a very significant motif of Lu Junzhou’s works of art. He is always trying to extend the boundary and bring new experiences in each phase of his career, while sometimes he even expresses a sense of pulse and being split apart in his works. If we would like to find out the relative continuity among them, the most obvious should go to the exploration and reflection of “the emotional representation of space and primitive power”.

In fact, the structure of characters has a kind of spatial reference in traditional concept of calligraphy. Lu Junzhou’s works of art have undoubtedly pushed this reference to the ultimate of one’s understanding. It seems to be a lead-in, which combines his longstanding love for calligraphy with the epiphany about the future. Especially in his recent works, the once existentorder begin to resolve, and the aesthetic in form begin to be replaced. The emphasis on form and meaning has been transferredto the more straightforward accumulation and release of emotion. Calligraphy itself has nothing to do with the content of the words, nor with the reading experiences of the readers. He pursues his own sense of rhythm, as well as a primitive state of mind close to basic instincts, therefore completely crosses the barrier between Chinese characters and western letters. Calligraphy manages to create a sense of space and mental pictures in a perfect and natural manner, just like the original chaotic state. It is as if only when he is surrounded by characters does he get close to the unique self, experience the freedom of spirit and express his doubt-it-all and courage. In the process of writing, distinctive features like connotationand sentiment which belong to traditional calligraphy are gradually revealing its connection with certain value judgements of contemporary art. Our knowledge about traditional concepts are being renewed and surpassed with the artists’creations. As Solzhenitsyn said, “Our life, our spirit, have to emerge from our own understanding and our own cultural atmosphere.”

When we put ourselves in a more open and broad cultural atmosphere and follow the diversifying value judgements, there should be more possibilities and interpretations for art creations, which stick to uniformity otherwise. Lu Junzhou tries to reverse the order and then reconstruct it with his works in his own understanding. In this sense, he seems to have taken us into a new spiritual space.

Chen Ruijin

Director of Suzhou Museum


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